Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Monday, January 9, 2017

Henry Wadsworth Longfellow on the Three Kings


Three Kings came riding from far away,
Melchior and Gaspar and Baltasar;
Three Wise Men out of the East were they,
And they travelled by night and they slept by day,
For their guide was a beautiful, wonderful star.

The star was so beautiful, large and clear,
That all the other stars of the sky
Became a white mist in the atmosphere,
And by this they knew that the coming was near
Of the Prince foretold in the prophecy.

Three caskets they bore on their saddle-bows,
Three caskets of gold with golden keys;
Their robes were of crimson silk with rows
Of bells and pomegranates and furbelows,
Their turbans like blossoming almond-trees.

And so the Three Kings rode into the West,
Through the dusk of the night, over hill and dell,
And sometimes they nodded with beard on breast,
And sometimes talked, as they paused to rest,
With the people they met at some wayside well.

"Of the child that is born," said Baltasar,
"Good people, I pray you, tell us the news;
For we in the East have seen his star,
And have ridden fast, and have ridden far,
To find and worship the King of the Jews."

And the people answered, "You ask in vain;
We know of no King but Herod the Great!"
They thought the Wise Men were men insane,
As they spurred their horses across the plain,
Like riders in haste, who cannot wait.

And when they came to Jerusalem,
Herod the Great, who had heard this thing,
Sent for the Wise Men and questioned them;
And said, "Go down unto Bethlehem,
And bring me tidings of this new king."

So they rode away; and the star stood still,
The only one in the grey of morn;
Yes, it stopped --it stood still of its own free will,
Right over Bethlehem on the hill,
The city of David, where Christ was born.

And the Three Kings rode through the gate and the guard,
Through the silent street, till their horses turned
And neighed as they entered the great inn-yard;
But the windows were closed, and the doors were barred,
And only a light in the stable burned.





















And cradled there in the scented hay,
In the air made sweet by the breath of kine,
The little child in the manger lay,
The child, that would be king one day
Of a kingdom not human, but divine.

His mother Mary of Nazareth
Sat watching beside his place of rest,
Watching the even flow of his breath,
For the joy of life and the terror of death
Were mingled together in her breast.

They laid their offerings at his feet:
The gold was their tribute to a King,
The frankincense, with its odor sweet,
Was for the Priest, the Paraclete,
The myrrh for the body's burying.

















And the mother wondered and bowed her head,
And sat as still as a statue of stone,
Her heart was troubled yet comforted,
Remembering what the Angel had said
Of an endless reign and of David's throne.

Then the Kings rode out of the city gate,
With a clatter of hoofs in proud array;
But they went not back to Herod the Great,
For they knew his malice and feared his hate,

And returned to their homes by another way.
                       
                               ~ Henry Wadsworth Longfellow 


Monday, December 28, 2015

Commemorating Childermas



Say, ye celestial guards, who wait
In Bethlehem, round the Saviour's palace gate,
Say, who are these on golden wings,
That hover o'er the new-born King of kings,
Their palms and garlands telling plain
That they are of the glorious martyr-train,
Next to yourselves ordained to praise
His Name, and brighten as on Him they gaze?

But where their spoils and trophies? where
The glorious dint a martyr's shield should bear?
How chance no cheek among them wears
The deep-worn trace of penitential tears,
But all is bright and smiling love,
As if, fresh-borne from Eden's happy grove,
They had flown here, their King to see,
Nor ever had been heirs of dark mortality?

Ask, and some angel will reply,
"These, like yourselves, were born to sin and die,
But ere the poison root was grown,
God set His seal, and marked them for His own.
Baptised its blood for Jesus' sake,
Now underneath the Cross their bed they make,
Not to be scared from that sure rest
By frightened mother's shriek, or warrior's waving crest."

Mindful of these, the firstfruits sweet
Borne by this suffering Church her Lord to greet;
Blessed Jesus ever loved to trace
The "innocent brightness" of an infant's face.
He raised them in His holy arms,
He blessed them from the world and all its harms:
Heirs though they were of sin and shame,
He blessed them in his own and in his Father's Name.

Then, as each fond unconscious child
On the everlasting Parent sweetly smiled
(Like infants sporting on the shore,
That tremble not at Ocean's boundless roar),
Were they not present to Thy thought,
All souls, that in their cradles Thou hast bought?
But chiefly these, who died for Thee,
That Thou might'st live for them a sadder death to see.

And next to these, Thy gracious word
Was as a pledge of benediction stored
For Christian mothers, while they moan
Their treasured hopes, just born, baptised, and gone.
Oh, joy for Rachel's broken heart!
She and her babes shall meet no more to part;
So dear to Christ her pious haste
To trust them in His arms for ever safe embraced.

She dares not grudge to leave them there,
Where to behold them was her heart's first prayer;
She dares not grieve--but she must weep,
As her pale placid martyr sinks to sleep,
Teaching so well and silently
How at the shepherd's call the lamb should die:
How happier far than life the end
Of souls that infant-like beneath their burthen bend.
                               




It is easy to be so absorbed in the joy of Christmas to forget some of suffering and turmoil that was associated with the miracle of the Incarnation.

Childermas, or the Feast of the Holy Innocents, commemorates the massacre of all males under the age of two in Bethlehem ordered by Herod to preclude a rival king.

The Coventry Carol is a haunting hymn which mourns the loss of the first Christian martyrs in the form of a lullaby to the Holy Innocents. 

Wednesday, April 22, 2015

Joyce Kilmer on Trees



Trees


I think that I shall never see A poem lovely as a tree.A tree whose hungry mouth is prest Against the earth’s sweet flowing breast;A tree that looks at God all day, And lifts her leafy arms to pray;A tree that may in summer wear A nest of robins in her hair;Upon whose bosom snow has lain; Who intimately lives with rain.Poems are made by fools like me, But only God can make a tree.

                            ~Joyce Kilmer


                                 


Saturday, October 4, 2014

Bayonne Nun Beatified-- Sister Miriam Teresa Demjanovich


On October 4, 2014, Miriam Teresa Demjanovich will be beatified at the Gothic styled Cathedral Basilica of the Sacred Heart in Newark, New Jersey.  When Prefect of the Congregation for the Causes of Saints Cardinal Angelo Amato declares Demjanovich beata, it will be the first time it has been done on American soil.

Miriam Teresa Demjanovich was born on March 26, 1901 to Slovakian  immigrants in Bayonne, New Jersey.  Miriam was the youngest of seven children born into a very religious family.  She was baptized in the Byzantine-Ruthenian Catholic Church 

After graduating high school in 1917, Demjanovich wanted to become a Carmelite, but had to care for her sick mother.  When her mother died during the influenza outbreak in 1918, she enrolled in the College of St. Elizabeth and graduated with highest honors with a BA in literature.  She taught for a year  at Academy of Saint Aloysius in Jersey City, New Jersey.  Miriam again sought to join the Carmelites in the Bronx, but was encouraged to wait due to her health issues.  She decided to join the Sisters of Charity, Convent Station in December, 1924 but had to delay due to her father's health issues.  She received her religious habit in May 1925.  By December, 1926, Miriam had repeated health issues which required hospitalization.  Demjanovich had complications from an appendicitis surgery and died in May, 1927.  Demjanovich  remained a Byzantine rite Catholic throughout her life despite serving as a sister in a Roman rite community.

This brief biography may prompt people to wonder why the Church recognizes Demjanovich entrance into heaven. While Miriam was a postulate and novice, she only took her vows in articulo mortis in April, 1927.  Demjanovich's cause for beatification was advanced by the Sisters of Charity in 1945 because of her saintly life as  her striving for perfection in her religious life, her spiritual writings and intercessions with God.  

In December, 2013, Pope Francis approved the miracle of a boy whose eyesight was completely restored from macular degeneration after praying for the intercessions of Miriam Teresa Demjanovich. 





During Miriam Teresa Demjanovich's short life on Earth, she wrote two plays, and several poems.  At the behest of her spiritual director Benedictine Fr. Benedict Bradley, she wrote 26 conferences on religious life which were published posthumously as The Greater Perfection.    It was extraordinary that such a task was given to a novice but Fr. Bradley proclaimed:

 “I believed that she enjoyed extraordinary lights, and I knew that she was living an exemplary life,” he stated. “I thought that, one day, she would be ranked among the saints of God, and I felt it was incumbent upon me to utilize whatever might contribute to an appreciation of her merits after her death.”

Demjanovich's spiritual writing seemed to blend spiritual wisdom from Eastern and Western Christendom.  Her quote about everyone seeking union with God and being called to live the Will of God  is inspiring and challenging.

Her Litany of Love poem demonstrates her deep faith and joy in the Christian life


Lord, have mercy on us;
Christ, have mercy on us;
Lord, have mercy on us;
Jesus, hear us,
Jesus, lovingly hear us.
God, the Father of heaven, have mercy on us.
God, the Son, Redeemer of the world, have mercy on us.
God, the Holy Ghost, have mercy on us.
Holy Trinity, one God, have mercy on us.
Jesus, my Well-Beloved
Jesus, my Strength
Jesus, Light of my mind
Jesus, Power of my will
Jesus, Fire of my Love
Jesus, Life of my life
Jesus, Life of my soul
Jesus, Soul of my life
Jesus, Soul of my soul
Jesus, my Ceaseless Delight
Jesus, my Rapturous Bliss
Jesus, my infinite Joy
Jesus, True Peace of my soul
Jesus, my only Existence
Jesus, my Own
Jesus, my Heaven
Jesus, my Magnificent Love
Jesus, my Eternal Repose
Jesus, my Vehement Desire
Jesus, my Crucified Spouse
Jesus, my King
Jesus, my God
Glory be to the Father and to the Son and to the Holy Ghose; as it was in the beginning, is now, and ever shall be, world without end. Amen. 

Tuesday, August 27, 2013

Child of God


I Am

The fact the I am
is amazing and wonderful.
I can move about
I can think, love and choose.
I can grow--
In wisdom.
I am yours, God.
Your beloved child.
Gifted as you see fit.
For sharing,
For loving,
For bearing,
In utter reliance on You.
In trust,
Totally secure,
Totally loved,
Totally yours.
                                                             
                                                         - Sister Virginia Flagg, MM



Thursday, May 9, 2013

Understanding the Ascension Through Art

Ascension Thursday is the close of the forty day celebration of Easter.  Some dioceses have moved marking this Solemnity of this feast to Sunday.   To better celebrate the wonder and mystery of this event of salvific history, we can turn to art.

The Seventeenth Century poet John Donne tended to take an intellectual approach to spirituality in La Coruna. (1618).  The section dedicated to the Ascension offers conceits which prepares the person for acting in faith:

Salute the last, and everlasting day,
Joy at the uprising of this Sun, and Son,
Ye whose true tears, or tribulation
Have purely wash’d, or burnt your drossy clay.
Behold, the Highest, parting hence away,
Lightens the dark clouds, which He treads upon;
Nor doth he by ascending show alone,
But first He, and He first enters the way.
O strong Ram, which hast batter’d heaven for me!
Mild lamb, which with Thy Blood hast mark’d the path!
Bright Torch, which shinest, that I the way may see!
O, with Thy own Blood quench Thy own just wrath;
And if Thy Holy Spirit my Muse did raise,
Deign at my hands this crown of prayer and praise.
While Donne was raised as a Catholic, he converted to Anglicanism in his adulthood.  The verses reflect this sentiment as it uses quitessential Catholic symbols,such as light and dark, as well as the sacrifice of the innocent lamb.  But the final verse emphasizes the personal rather than communal aspect of faith.

Another distinctive feature of Donne's literary style are his metaphysical conceits. which uses imagery in an extended metaphor to combine vastly different ideas into a single notion.  Hence, the ascension is likened to both a strong Ram to break down the door of faith to heaven and as a mild lamb in a blood sacrifice to show the path.

Three hundred and fifty years later, Salvador Dali painted "The Ascension of Christ" (1958) as Jesus is rising toward an energized and electrified heaven.


Dali's surreal style of juxtaposing images one would not ordinarily associate in order to create a deeper meaning requires going beyond a rational exposition of faith.  But Dali's depiction is not devoid of reality, as the prominent feet would have been the last thing that the Apostles who witness the Ascension would have seen.

Dali attributes the inspiration for "The Ascension of Christ" to a cosmic dream that he had in 1950 full of vivid color where he saw the nucleus of an atom.  Dali was an ardent atheist but he later re-embraced his Catholic faith (perhaps after an exorcism) but Dali often fused his conceptions of Christianity  with science. Dali realized that the nucleus was the true representation of the unifying spirit of Christ.  This nuclear mysticism is meant to connect everyone.

Dali's "Ascension of Christ" does have some incongruities.  Dali was inspired by the atom but it looks like a sunflower or perhaps a stylized depictions of the sun.  Dali was often intrigued with continuous circular patterns like a sunflower floret as it followed the law of logarithmic spiral, which Dali explained to  Mike Wallace in 1958 was associated with the force of spirit in chastity.

While the dove ready to descend from the clouds seems like an allusion to the Pentecost liturgically celebrated in 10 days.  But why is Gala (Dali's wife and artistic muse) peering out from the clouds?  In other Dalian religiously inspired paintings, Gala represented the Virgin Mary. Historically, the dormition of the Theotokis happened long after Christ's ascension into heaven.  However,  Mary is often considered the Queen Mother of Heaven and as the resurrection transcended time and space, it could show the Mother of God weeping at her son's departure from the Earth from her prospective place in heaven.

Other  aspects to appreciate in Dali's depiction of Christ's glorified body ascending to heaven is his hands and feet.  Aside from the positioning of the foot, notice how the soles of his foot were soiled, as reminders that our Messiah walked among us.  Also the Jesus' fingers are curled, which lends some visual drama to the painting but combined with with electrified heavens hints at power.

Whether we are spoken to by Donne's metaphysical conceits or dazzled by Dali's depictions of nuclear mysticism, the Ascension of Christ into heaven is a foretaste of what the faithful may expect in our eventual heavenly home.

h/t:  Salvador Dali Society

Wednesday, March 20, 2013

A Prayer in Spring by Robert Frost


Oh, give us pleasure in the flowers to-day;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfil.

Robert Frost (1915)


Wednesday, February 13, 2013

Meditation on Ash Wednesday






Fingernails scrubbed clean as latrines
in the army, this symbol
of a man dirties his thumb
with our skin, the powdery ash riding high
on his pores, not sinking in
before he sketches the gray
of our dirt-birth across a brow
we were born to furrow.


Listen to the sound of forgiveness:
the crossing of skin, the cult-
like queuing up to explode
in ripped whispers, “Lord,
have mercy, Lord, have
mercy, Lord, have mercy.”

And we want it. And we take it
home with us to stare back
from a lover’s forehead,
to come off in a smear on the sheets
as we roll onto each other’s skin,
or to wear like a bindhi this medal of our not winning
each day we wake to the worlds
we are and are not.

And when we wake too early
before the light of just-becoming-day
sneaks in on us, and we stand lonely, deceived
into piety, scrubbing away the grime of our humanness
like fierce fierce toothbrushes on latrines
in the army, there it is still,
raw with our washings:
the human beneath.