Scary Spiritual Costumes for All Hallow's Eve

The wag wearing the Spirit of Vatican II costume clearly is not a fan of the St. Louis Jesuits repertoire.  But the outfit does bring up a larger question in Catholic culture.  

Many of the changes to the Catholic Church post 1965 were not necessarily mandated by the Second Vatican Council but were enacted under the shaky assumptions of "The Spirit of Vatican II".   This is why during the 2012 "Year of Faith", then Pope Benedict XVI wanted people to contemplate the 50th anniversary of the start of Vatican II through a hermaneutic of continuity rather than a hermaneutic of rupture. 

Those who are not fond of some changes, like guitar masses, communion in the hand, and moving some feast days to Sundays rail through ridicule. 


Ironically, the musician who satirized Vatican II chose to make his point through a repetitious folk music setting which droned on the mundane rather than uplifting motifs. 

Skittish Chicago-land School Censors Christ Costume

Marshon Sanders in Jesus costume  (via Facebook)

Marshon Sanders, a 17 year old senior at Highland Park High School in Chicago's northern suburbs, took part in the school's tradition of wearing costumes on Halloween.   But Sanders was removed from class after two teachers complained that Marshon was dressed like Jesus Christ.

After being dismissed from class, school administrators deemed his costume as being potentially offensive and violating the dress code policy that no costume should "be offensive or perpetuate a stereotype of someone's culture, gender, sexual orientation, heritage or religion."  At first, Marshon was told to remove his large pectoral cross.  Later, Sanders was instructed that in order to return to class, he needed to remove his white robe, red sash, cross and head scarf. 

Highland Park High's Director of Communications Melinda Vajdic stated that the costume could be interepreted as poking fun or perpetuating a "religious stereotype".   Vajdic further pontificated, "Costumes trivialize. I’m sure that wasn’t his intent, but we want to maintain a culture of mutual respect.”  But surely this same condescending standard should have applied to students costumed as Mormons, Moses and priests. 

Before Marshon went back to class, the student contacted his mother.  Angela Frison urged her son to wear a costume that was uplifting and approved of his choice.  Some might say that Frison's son was doing All Hallow's Eve right.   Marshon chose the figure who was most important to him.  When Ms. Frison asked the school dean what was so offensive about Marshon's costume, she was not given a direct answer.  Frison thought that those teachers who were offended might have been due to the notion of a black Jesus.

After the ad hoc Parent-Teacher meeting, the school seems to have changed its tune with the prospect of bad publicity. The administrators reconsidered and ruled that Marshon was not being offensive and gave permission to wear his outfit but the chagrined teen declined.  The school later put out a press release in the afternoon confirming that Marshon had been told that he could wear the costume. 

Nearly 40 years ago, the show Good Times, set in the projects in Chicago (implicitly Cabrini-Green), created controversy over a depiction of a black Jesus.  It would be a pity if Norman Lear's polemical plot still holds sway in enlightened north shore of  Chicago-land.

Actor James Amos playing James Evans, Sr. in Good Times (1974)

While race might be the case, a concurrent stream of influence is a fanatical secular political correctness which aims intensely upon Christianity .  There are so many stories of public schools bowing at the altar of political correctness and harboring an acute sense of Christophobia. Consider cases where children are sanctioned against reading the Bible during lunch.  Or valedictory speeches that must be censored so as not to mention Jesus.  So it is not surprising that teachers would be skittish about a positive portrayal of Christ in the schools, even on Halloween.

For Halloween costumes, the Priests and Mormons get-ups certainly could have satirical or salacious connotations, but depicting the Messiah might have been too positive of a Christian costume.  And such a positive Christian influence, even coming from a student would not be kosher, so to speak, when trumpeting multi-cuturalism that is non-judgmental, except for traditional Judeo-Christian mores.

h/t:  Christian Post
         Chicago Sun Times 

All Hallows Eve -- Doing It Right

Have a Surreal Halloween

Halloween originally was a pagan holiday that likely linked to the a feast for the  Celtic God Samhain, which was Old Irish for “Summer’s End”.  Other historians associated it with Paternalia, the feast for the dead to commemorate Pomona, the Roman Goddess of fruits and seeds. Either way, the festivals  recognized the fruits of the harvest and the unsettling change to the fallow fields of winter. Catholics tried to convert the pagan holiday into Halloween (Old Scottish for “All Hallows Eve”) in the 16th Century which evoked influences from purgatory.

Some traditions of celebrating Halloween readily spread through North America, like going door to door “guising”, but in the New World children did not beg for sustenance for All Saints Day or prayers for All Souls Day but “trick or treating” in costumes to get sweets.  As Erma Bombeck wryly put it “A grandmother pretends she doesn’t know who you are on Halloween”.  Back in Scotland, it was a tradition to carve images in turnips.  Those celebrating Halloween in the New World continued this tradition but they used the more plentiful and larger pumpkins for jack-o-lanterns.

 In the last twenty years, Halloween has also transitioned to being a secular pagan festival for adults, as it is the third busiest night at bars behind New Years Eve and St. Patrick’s Day.  So many adults now delight in donning costumes and spending an evening posing in another guise.

Surrealism is a style that juxtaposes familiar subjects in unconventional settings, hence it lends itself to the fantasy and phantasmagoria of Halloween.  Those who are not Salvador Dalí devotees might conclude that much of his oeuvre was Halloween-esque.  As Dalí himself once mused:  “I have Dalinian thought: the one thing the world will never have enough of is the outrageous.”

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